Notes related to Artista Femenina

IF THIS WERE A BEGINNING OF INFINITY: MACBA’S HOMAGE TO MARÍA TERESA HINCAPIÉ

María Teresa Hincapié: If This Were A Beginning of Infinity, in MACBA, is an initial attempt to organize the physical and intangible legacy of this artist, so vital to understanding present-day practices.

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IF THIS WERE A BEGINNING OF INFINITY: MACBA’S HOMAGE TO MARÍA TERESA HINCAPIÉ

María Teresa Hincapié: If This Were A Beginning of Infinity, in MACBA, is an initial attempt to organize the physical and intangible legacy of this artist, so vital to understanding present-day practices.

 THE GEOGRAPHY OF MEANINGS BY ANNA MARIA MAIOLINO

MALBA presents a panoramic exhibition by Anna Maria Maiolino (Scalea Italy, 1942) with more than fifty years of works that include paintings, drawings, woodcuts, sculptures, photographs, videos, sound pieces and installations in an attempt to capture the prismatic spirit of the artist.

By María Galarza
Reviews

THE GEOGRAPHY OF MEANINGS BY ANNA MARIA MAIOLINO

By María Galarza

MALBA presents a panoramic exhibition by Anna Maria Maiolino (Scalea Italy, 1942) with more than fifty years of works that include paintings, drawings, woodcuts, sculptures, photographs, videos, sound pieces and installations in an attempt to capture the prismatic spirit of the artist.

November 24, 2022
NOHEMÍ PÉREZ SELECTED IN ArtBo FOR THE EFG LATIN AMERICA ART AWARD

The EFG Latin America Art Award, together with ArtNexus, announced Nohemí Pérez, from mor Charpentier (Paris and Bogotá), as the selected artist for the company’s annual acquisition award. The winner will be announced at Pinta Miami during Art Week in the city.

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NOHEMÍ PÉREZ SELECTED IN ArtBo FOR THE EFG LATIN AMERICA ART AWARD

The EFG Latin America Art Award, together with ArtNexus, announced Nohemí Pérez, from mor Charpentier (Paris and Bogotá), as the selected artist for the company’s annual acquisition award. The winner will be announced at Pinta Miami during Art Week in the city.

GABRIELA AYZA ASCHMANN: HER CALL TOWARDS WILD (LIGHT)

The Spanish-German artist Gabriela Ayza Aschmann (Cologne, Germany, 1991) presents in Tomas Redrado Art a series of paintings created in 2022, as an experience of inquiry into the expanded borders of portraiture that strengthens her. It is a sustained practice that she carries out advancing against the background of the history of the avant-garde, but above all she acts as if she were tearing pages from her own life, to add them to art.

By Adriana Herrera Téllez
Reviews

GABRIELA AYZA ASCHMANN: HER CALL TOWARDS WILD (LIGHT)

By Adriana Herrera Téllez

The Spanish-German artist Gabriela Ayza Aschmann (Cologne, Germany, 1991) presents in Tomas Redrado Art a series of paintings created in 2022, as an experience of inquiry into the expanded borders of portraiture that strengthens her. It is a sustained practice that she carries out advancing against the background of the history of the avant-garde, but above all she acts as if she were tearing pages from her own life, to add them to art.

November 15, 2022
PAULA DE SOLMINIHAC WINS FAENA PRIZE FOR THE ARTS 2022

Chilean artist Paula de Solminihac was selected as the winner of the 2022 Faena Prize for the Arts over 395 proposals from over 72 countries.

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PAULA DE SOLMINIHAC WINS FAENA PRIZE FOR THE ARTS 2022

Chilean artist Paula de Solminihac was selected as the winner of the 2022 Faena Prize for the Arts over 395 proposals from over 72 countries.

CARRIE MAE WEEMS: A GREAT TURN IN THE POSSIBLE AT FUNDACIÓN MAPFRE

A constellation of the images, themes, tropes, and concerns that have persistently preoccupied artist Carrie Mae Weems from the beginning of her career, A Great Turn in the Possible outlines a retrospective revisiting four decades of a trajectory that has proved necessary and visionary in equal terms.

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CARRIE MAE WEEMS: A GREAT TURN IN THE POSSIBLE AT FUNDACIÓN MAPFRE

A constellation of the images, themes, tropes, and concerns that have persistently preoccupied artist Carrie Mae Weems from the beginning of her career, A Great Turn in the Possible outlines a retrospective revisiting four decades of a trajectory that has proved necessary and visionary in equal terms.

LADY LIBERTY: A BONNIE LAUTENBERG RETROSPECTIVE AT JEWISH MUSEUM OF FLORIDA

The Jewish Museum of Florida-FIU opens Art Basel season in Miami Beach with the premiere of Lady Liberty: A Bonnie Lautenberg Retrospective, celebrating powerful images of women from two decades of work from the artist.

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LADY LIBERTY: A BONNIE LAUTENBERG RETROSPECTIVE AT JEWISH MUSEUM OF FLORIDA

The Jewish Museum of Florida-FIU opens Art Basel season in Miami Beach with the premiere of Lady Liberty: A Bonnie Lautenberg Retrospective, celebrating powerful images of women from two decades of work from the artist.

IN THE DEPTH HEAT LEAKS. THE EXHIBITION OF LAURE PROUVOST

Currently on view at La Casa Encendida, In the depth heat leaks is Prouvost's first solo show in Spain and traces the path of a 12-year period in which she has produced five audiovisual installations.

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IN THE DEPTH HEAT LEAKS. THE EXHIBITION OF LAURE PROUVOST

Currently on view at La Casa Encendida, In the depth heat leaks is Prouvost's first solo show in Spain and traces the path of a 12-year period in which she has produced five audiovisual installations.

FLORENCIA BÖHTLINGK NOMINATED IN arteBA FOR THE EFG LATIN AMERICAN ART AWARD

The EFG Latin America Art Award, in partnership with ArtNexus, presented the nominated artist for its annual acquisition award. Florencia Böhtlingk, from HACHE Gallery, Buenos Aires, adds up to the list of selected artists. The winner will be announced at Pinta Miami during Art Week in Miami.

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FLORENCIA BÖHTLINGK NOMINATED IN arteBA FOR THE EFG LATIN AMERICAN ART AWARD

The EFG Latin America Art Award, in partnership with ArtNexus, presented the nominated artist for its annual acquisition award. Florencia Böhtlingk, from HACHE Gallery, Buenos Aires, adds up to the list of selected artists. The winner will be announced at Pinta Miami during Art Week in Miami.

GEGO: MEASURING INFINITY. THE ARTIST'S RETROSPECTIVE AT JUMEX

The Museo Jumex inaugurates a retrospective of the work of Gertrud Goldschmit, better known as Gego. The exhibition traces her interdisciplinary artistic production in her journey through the disciplines of architecture, design, sculpture, drawing, printmaking, fabric, installations, public art and pedagogy.

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GEGO: MEASURING INFINITY. THE ARTIST'S RETROSPECTIVE AT JUMEX

The Museo Jumex inaugurates a retrospective of the work of Gertrud Goldschmit, better known as Gego. The exhibition traces her interdisciplinary artistic production in her journey through the disciplines of architecture, design, sculpture, drawing, printmaking, fabric, installations, public art and pedagogy.

STITCHING THE GAP: ALEX TRIMINO’S EXHIBITION AT LOWE ART MUSEUM

The Miami-based artist Alex Trimino presents Stitching The Gap, the inaugural exhibition for the Project Room at the Lowe Art Museum curated by Lance M. Fung.

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STITCHING THE GAP: ALEX TRIMINO’S EXHIBITION AT LOWE ART MUSEUM

The Miami-based artist Alex Trimino presents Stitching The Gap, the inaugural exhibition for the Project Room at the Lowe Art Museum curated by Lance M. Fung.

ANA GALLARDO WINS THE SECOND JULIUS BAER ART PRIZE FOR LATIN AMERICAN FEMALE ARTISTS

Julius Baer Group, together with the Bogotá Museum of Moder Art (MAMBO) anaunced that Ana Gallardo is the winner of the second edition of the Julius Baer Art Prize for Latin American Female Artists. It is the first prize of its kind to be held in Latin America.

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ANA GALLARDO WINS THE SECOND JULIUS BAER ART PRIZE FOR LATIN AMERICAN FEMALE ARTISTS

Julius Baer Group, together with the Bogotá Museum of Moder Art (MAMBO) anaunced that Ana Gallardo is the winner of the second edition of the Julius Baer Art Prize for Latin American Female Artists. It is the first prize of its kind to be held in Latin America.

KAREN LAMASSONNE’S DESIRING LANDSCAPES IN RUIDO / NOISE, THE EXHIBITION AT SWISS INSTITUE

Ruido / Noise is the first international survey of the work of Colombian American artist Karen Lamassone. Spanning from her early years to today, the exhibit at Swiss Institute shows the artist’s commitment to portraying women as desiring subjects.

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KAREN LAMASSONNE’S DESIRING LANDSCAPES IN RUIDO / NOISE, THE EXHIBITION AT SWISS INSTITUE

Ruido / Noise is the first international survey of the work of Colombian American artist Karen Lamassone. Spanning from her early years to today, the exhibit at Swiss Institute shows the artist’s commitment to portraying women as desiring subjects.

SARA FACIO: IMAGES TO LISTEN. THE TRIBUTE ARTIST OF PINTA BAphoto 2022.

Pinta BAPhoto opens its 2022 edition with a tribute to the outstanding photographer Sara Facio. The exhibition is dedicated to her intimate life and proposes a shift in the photographer's camera: she leaves aside her work as a portraitist to look at herself. It is curated by Francisco Medail and with the collaboration of Rolf Art.

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SARA FACIO: IMAGES TO LISTEN. THE TRIBUTE ARTIST OF PINTA BAphoto 2022.

Pinta BAPhoto opens its 2022 edition with a tribute to the outstanding photographer Sara Facio. The exhibition is dedicated to her intimate life and proposes a shift in the photographer's camera: she leaves aside her work as a portraitist to look at herself. It is curated by Francisco Medail and with the collaboration of Rolf Art.

CECILIA VICUÑA IN GUGGENHEIM NEW YORK

Cecilia Vicuña: Spin Spin Triangulene is the first solo exhibition in a New York museum for the pioneering contemporary Chilean artist, poet, activist, and filmmaker Cecilia Vicuña (b. 1948, Santiago). Showcasing Vicuña’s artistic production from the late 1960s to today, this exhibition will feature the breadth of her multidisciplinary practice, including paintings, works on paper, textiles, films, a site-specific Quipu (Knot) installation, a one-time performance of a “living” Quipu, and new paintings and works on paper created specifically for this presentation.

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CECILIA VICUÑA IN GUGGENHEIM NEW YORK

Cecilia Vicuña: Spin Spin Triangulene is the first solo exhibition in a New York museum for the pioneering contemporary Chilean artist, poet, activist, and filmmaker Cecilia Vicuña (b. 1948, Santiago). Showcasing Vicuña’s artistic production from the late 1960s to today, this exhibition will feature the breadth of her multidisciplinary practice, including paintings, works on paper, textiles, films, a site-specific Quipu (Knot) installation, a one-time performance of a “living” Quipu, and new paintings and works on paper created specifically for this presentation.

EL ORDEN DE LOS FACTORES. SANDRA GAMARRA HESHIKI

Through painting, Sandra Gamarra Heshiki (Lima, Peru, 1972) questions the representation mechanisms of the art system and the museum as an ideological device. He resorts to copying to make available certain cultural artifacts that have been extracted from their contexts within the framework of the modern-colonial regime. The artist adopts a syncretic gaze where pre-Columbian, colonial, modern and contemporary material productions come into friction.

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EL ORDEN DE LOS FACTORES. SANDRA GAMARRA HESHIKI

Through painting, Sandra Gamarra Heshiki (Lima, Peru, 1972) questions the representation mechanisms of the art system and the museum as an ideological device. He resorts to copying to make available certain cultural artifacts that have been extracted from their contexts within the framework of the modern-colonial regime. The artist adopts a syncretic gaze where pre-Columbian, colonial, modern and contemporary material productions come into friction.

ANTOLÓGICA: A RETROSPECTIVE EXHIBITION BY GRACIELA HASPER

Sicardi | Ayers | Bacino is pleased to announce Antológica, a retrospective exhibition for gallery artist Graciela Hasper (b. 1966, Argentina) at the Museo Provincial de Bellas Artes Franklin Rawson in San Juan, Argentina. 

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ANTOLÓGICA: A RETROSPECTIVE EXHIBITION BY GRACIELA HASPER

Sicardi | Ayers | Bacino is pleased to announce Antológica, a retrospective exhibition for gallery artist Graciela Hasper (b. 1966, Argentina) at the Museo Provincial de Bellas Artes Franklin Rawson in San Juan, Argentina. 

UNDER CONSTRUCTION: NEW ACQUISITIONS FOR THE NATIONALGALERIE’S COLLECTION

The Hamburger Bahnhof is holding an exhibition entitled Under Construction, which will present the latest additions to the Nationalgalerie collection. The museum has been able to acquire these new objects over the past few years thanks in large part to funding from the Freunde der Nationalgalerie.

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UNDER CONSTRUCTION: NEW ACQUISITIONS FOR THE NATIONALGALERIE’S COLLECTION

The Hamburger Bahnhof is holding an exhibition entitled Under Construction, which will present the latest additions to the Nationalgalerie collection. The museum has been able to acquire these new objects over the past few years thanks in large part to funding from the Freunde der Nationalgalerie.

AMERICAS SOCIETY EXHIBITS SCULPTURES BY MEXICAN ARTIST GELES CABRERA

This is the first solo exhibition in the United States dedicated to Geles Cabrera, who is one of the most prominent female sculptors of her country. Geles Cabrera: Museo Escultórico will feature artwork created over 40 years of her career and will be on view from June 8 through July 30, 2022.

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AMERICAS SOCIETY EXHIBITS SCULPTURES BY MEXICAN ARTIST GELES CABRERA

This is the first solo exhibition in the United States dedicated to Geles Cabrera, who is one of the most prominent female sculptors of her country. Geles Cabrera: Museo Escultórico will feature artwork created over 40 years of her career and will be on view from June 8 through July 30, 2022.

LAST DAYS! SANDRA GAMARRA AT THE SPANISH MUSEUM CGAC

CGAC -Centro Galego de Arte Contemporánea- exhibits Buen Gobierno (Good Government) by Peruvian artista Sandra Gamarra Heshiki.

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LAST DAYS! SANDRA GAMARRA AT THE SPANISH MUSEUM CGAC

CGAC -Centro Galego de Arte Contemporánea- exhibits Buen Gobierno (Good Government) by Peruvian artista Sandra Gamarra Heshiki.

CLOSE ENCOUNTERS: ART AS A SOCIAL EXPERIMENT - BEATRIZ CHACHAMOVITS IN ART AND CULTURE CENTER, HOLLYWOOD, FLORIDA

Review about the exhibition Into the Great Dying: (The Steps We Take), on view until June 2022

By Amalia Caputo - Artist/Art Writer
Reviews

CLOSE ENCOUNTERS: ART AS A SOCIAL EXPERIMENT - BEATRIZ CHACHAMOVITS IN ART AND CULTURE CENTER, HOLLYWOOD, FLORIDA

By Amalia Caputo - Artist/Art Writer

Review about the exhibition Into the Great Dying: (The Steps We Take), on view until June 2022

May 24, 2022
TERESA MALUF EXHIBITS ‘404’ AT THE EMILIO CARAFFA MUSEUM IN CÓRDOBA

In Maluf's exhibition project, the language of three-dimensional works is combined with the installation format. With this in mind, and the characteristic spatial layout of Gallery 5 of the Emilio Caraffa Museum with its great heights, the works participate from their immanence in a dialogue with the circumstance.

News

TERESA MALUF EXHIBITS ‘404’ AT THE EMILIO CARAFFA MUSEUM IN CÓRDOBA

In Maluf's exhibition project, the language of three-dimensional works is combined with the installation format. With this in mind, and the characteristic spatial layout of Gallery 5 of the Emilio Caraffa Museum with its great heights, the works participate from their immanence in a dialogue with the circumstance.

EFG LATIN AMERICA ART AWARD NOMINATION AT PINTA PArC

The EFG Latin America Art Award, in partnership with ArtNexus, announced Ximena Garrido-Lecca, from the gallery 80m2 Livia Benavides, Lima, as the artist nominated for its annual acquisition award. The work was selected at the Pinta PArC fair with the  collaboration of Magali Arriola, art critic and independent curator, jointly with Celia Sredni de Birbragher, Director and Editor of ArtNexus.

News

EFG LATIN AMERICA ART AWARD NOMINATION AT PINTA PArC

The EFG Latin America Art Award, in partnership with ArtNexus, announced Ximena Garrido-Lecca, from the gallery 80m2 Livia Benavides, Lima, as the artist nominated for its annual acquisition award. The work was selected at the Pinta PArC fair with the  collaboration of Magali Arriola, art critic and independent curator, jointly with Celia Sredni de Birbragher, Director and Editor of ArtNexus.

CECILIA VICUÑA’S TATE MODERN COMMISSION

Tate Modern and Hyundai Motor announced that Chilean artist and poet Cecilia Vicuña will create the next annual Hyundai Commission. Vicuña (b.1948) is perhaps best known for her radical textile sculptures, combining natural materials and traditional crafts. A prolific multi-disciplinary artist, Vicuña explores the pressing concerns of ecology, community, and social justice. Her new site-specific work for the Turbine Hall will inaugurate on October 11th  2022.

News

CECILIA VICUÑA’S TATE MODERN COMMISSION

Tate Modern and Hyundai Motor announced that Chilean artist and poet Cecilia Vicuña will create the next annual Hyundai Commission. Vicuña (b.1948) is perhaps best known for her radical textile sculptures, combining natural materials and traditional crafts. A prolific multi-disciplinary artist, Vicuña explores the pressing concerns of ecology, community, and social justice. Her new site-specific work for the Turbine Hall will inaugurate on October 11th  2022.

CECILIA VICUÑA RECEIVES THE GOLDEN LION AT THE VENICE BIENNALE

Chilean artist Cecilia Vicuña is a recipients of the Golden Lions for Lifetime Achievement of the 59th International Art Exhibition of La Biennale di Venezia - The Milk of Dreams.

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CECILIA VICUÑA RECEIVES THE GOLDEN LION AT THE VENICE BIENNALE

Chilean artist Cecilia Vicuña is a recipients of the Golden Lions for Lifetime Achievement of the 59th International Art Exhibition of La Biennale di Venezia - The Milk of Dreams.

THE IMPORTANCE OF THE ORIGIN WILL BE IMPORTED BY THE ORIGIN OF THE SUBSTANCE – ARGENTINE PAVILION AT THE VENICE BIENNALE

In this 59th International Art Exhibition – La Biennale di Venezia, the largest contemporary art event in the world, the artist selected to represent Argentina is Mónica Heller, who will show in the Argentine pavilion the video installation entitled The Origin of Substance Will Matter the Importance of Origin. The project, which has the curatorship of Alejo Ponce de León, was chosen among the 40 proposals that were presented in a public and open call.

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THE IMPORTANCE OF THE ORIGIN WILL BE IMPORTED BY THE ORIGIN OF THE SUBSTANCE – ARGENTINE PAVILION AT THE VENICE BIENNALE

In this 59th International Art Exhibition – La Biennale di Venezia, the largest contemporary art event in the world, the artist selected to represent Argentina is Mónica Heller, who will show in the Argentine pavilion the video installation entitled The Origin of Substance Will Matter the Importance of Origin. The project, which has the curatorship of Alejo Ponce de León, was chosen among the 40 proposals that were presented in a public and open call.

PAMM REINSCRIBES MARISOL ESCOBAR INTO AMERICAN POP ART

Pérez Art Museum Miami (PAMM) presents Marisol and Warhol Take New York, an exhibition featuring iconic artworks and ephemera by artists Marisol Escobar and Andy Warhol, opening on April 15, 2022. The exhibition not only offers a glimpse into Marisol and Warhol’s close bond as friends and artistic collaborators, but chronicles the development of both artists' careers over an eight-year span from 1960–1968, while highlighting their influence on each other, their parallel rises to success, and their savvy navigation of the highly competitive 1960’s gallery world.

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PAMM REINSCRIBES MARISOL ESCOBAR INTO AMERICAN POP ART

Pérez Art Museum Miami (PAMM) presents Marisol and Warhol Take New York, an exhibition featuring iconic artworks and ephemera by artists Marisol Escobar and Andy Warhol, opening on April 15, 2022. The exhibition not only offers a glimpse into Marisol and Warhol’s close bond as friends and artistic collaborators, but chronicles the development of both artists' careers over an eight-year span from 1960–1968, while highlighting their influence on each other, their parallel rises to success, and their savvy navigation of the highly competitive 1960’s gallery world.

THE SURREALIST INTRANSIGENCE OF THE TROPICS – MARIA MARTINS: IMAGINARY DESIRE

Reluctantly classified, with increasing complexity and interest, the work of Maria Martins (1894-1973) has yet to gain recognition in her native country. But a selection of some 50 pieces, on display in Rio de Janeiro through June, should help reposition the sculptor, draftswoman and engraver in the pantheon of leading Brazilian artists.

By Mario Gioia, art critic and independent curator
Reviews

THE SURREALIST INTRANSIGENCE OF THE TROPICS – MARIA MARTINS: IMAGINARY DESIRE

By Mario Gioia, art critic and independent curator

Reluctantly classified, with increasing complexity and interest, the work of Maria Martins (1894-1973) has yet to gain recognition in her native country. But a selection of some 50 pieces, on display in Rio de Janeiro through June, should help reposition the sculptor, draftswoman and engraver in the pantheon of leading Brazilian artists.

March 31, 2022
MEDELLÍN - FIRST MUSEUM RETROSPECTIVE EXHIBITION OF MARÍA TERESA HINCAPIÉ

The Museum of Modern Art of Medellín (MAMM) exhibits María Teresa Hincapié. Si este fuera un principio de infinito (María Teresa Hincapié. If this were a principle of infinity), the first institutional exhibition dedicated to the practice of Colombian artist María Teresa Hincapié (Armenia, 1954 – Bogotá, 2008). A pioneer in Colombia and Latin America, Hincapié had a very particular definition of the performative discipline that she used to call “training” and which resisted any specific categorization; rather, it oscillated between life, creation in motion and the search for the sacred.

News

MEDELLÍN - FIRST MUSEUM RETROSPECTIVE EXHIBITION OF MARÍA TERESA HINCAPIÉ

The Museum of Modern Art of Medellín (MAMM) exhibits María Teresa Hincapié. Si este fuera un principio de infinito (María Teresa Hincapié. If this were a principle of infinity), the first institutional exhibition dedicated to the practice of Colombian artist María Teresa Hincapié (Armenia, 1954 – Bogotá, 2008). A pioneer in Colombia and Latin America, Hincapié had a very particular definition of the performative discipline that she used to call “training” and which resisted any specific categorization; rather, it oscillated between life, creation in motion and the search for the sacred.

GERMAN PAVILION AT THE 59TH VENICE BIENNALE: A QUESTION ON PAVILIONS THEMSELVES

The German Pavilion at the 59th International Art Exhibition—la Biennale di Venezia in 2022 will feature the artist Maria Eichhorn. By choosing Eichhorn, who was born in Bamberg in 1962 and lives in Berlin, the curator Yilmaz Dziewior has decided in favor of an internationally highly recognized artist known as much for her conceptual approach as for her subtle sense of humor. With her visually minimal gestures, spatial interventions, and process-based works, Eichhorn critically examines institutional power structures and political and economic interrelationships.

News

GERMAN PAVILION AT THE 59TH VENICE BIENNALE: A QUESTION ON PAVILIONS THEMSELVES

The German Pavilion at the 59th International Art Exhibition—la Biennale di Venezia in 2022 will feature the artist Maria Eichhorn. By choosing Eichhorn, who was born in Bamberg in 1962 and lives in Berlin, the curator Yilmaz Dziewior has decided in favor of an internationally highly recognized artist known as much for her conceptual approach as for her subtle sense of humor. With her visually minimal gestures, spatial interventions, and process-based works, Eichhorn critically examines institutional power structures and political and economic interrelationships.